#1249 Jean Feinberg using splendid color to define

using splendid color to define space and structure

Paul Snell’s recent works lure the viewer into a meditation on image saturation

forms and textures hauntingly allude to the world of nature and recognizable things

As Johnson says

as soon as she made the red line

#1249 Jean Feinberg using splendid color to defineBoecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will evolve on the surface over time. He builds his paint up in a slow process, adding layers of color then partially removing them, allowing the echoes of erosion to remain visible in the final work. The gradual accumulation of pigment conveys a visual sense of depth, while also communicating a bittersweet emotional feeling that