Frankenthaler by John Elderfield Sarah Chaplin Espenon This soft-ground etching by Jonas

This soft-ground etching by Jonas Wood depicts a scene from the artist’s home

By willing himself to stop refining

and a reprint of William Butler Yeats’s 1933 poem “Under Ben Bulben

At its heart are two of the most uninhibited images that Bacon ever painted: Two Figures (1953) and Two Figures in the Grass (1954)

Featuring candid historical photographs

Frankenthaler by John Elderfield Sarah Chaplin Espenon This soft-ground etching by JonasThis revised and expanded edition of John Elderfields definitive monograph on Helen Frankenthaler now covers the artists career in its entirety. Originally published in 1989 by Harry N. Abrams, Frankenthaler drew on Elderfields extensive conversations with the artist and quickly became the authoritative account of her oeuvre. Developing this updated edition gave Elderfield the opportunity to reimagine the book entirely and substantially rewrite it,