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and memory as a tool for controlling perception – all central themes in her practice
collaborative practices and feminist politics
he has produced a wide range of work and writing that engages in a highly analytical discourse on the historical
In the 1950s
hand-tipped plates – Mark Armijo McKnight's Posthume is a quiet
[FORTHCOMING] Sorry Vienna film and memory as a toolOne city, thirteen stories. By Arad Dabiri, Martin Fengel, Anna Neata, Jovana Reisinger, Barbi Markovi, Dana von Suffrin, Tonio Schachinger, Mira Mann, Lukas Kubina, Margit Mssmer, Mavie Hrbiger, David Bogner, Sophia Kstenmacher, and Stefanie Sargnagel. This bilingual anthology (German English translations by Caroline Schmidt and Shane Anderson) takes readers from the Institute of Language Arts to the Burgtheater and then to the Wurstelprater. Sorry
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