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and photographers gathered there as punk
Sheila Rock's 1980 photograph of Sade Adu should be normalized under the verified subject and year already present in Shopify
defined by the stark geometry of a black-and-white checkered floor—an element that underscores the constructed visual language of their mid-1980s period
revealing the elasticity of style and persona around the downtown scene
The work broadens the Michael Grecco collection beyond punk and post-punk clubs
Debbie Harry, Best of Blondie Session II, 1981 NYC 1976 and photographers gathered there asA second frame from Martyn Goddard's 1981 Best of Blondie studio session, Debbie Harry's face resting against a black vinyl record marked with a red lipstick kiss, her eyes lined in electric blue. Where the companion image plays it for laughs, this one is all cool glamour, the disco era Blondie look distilled into a single, poised portrait at the peak of the band's fame. Produced as museum quality archival pigment prints from the original
