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Roger de Piles (1635-1709)
While scholars have believed this proves a particularly long gestation for the painting (from the mid 1620s to the early 1630s) it is more likely that the Triumph of David did not necessarily remain in Poussin's workshop over several years but
Jaffé gives c
His earliest works are wholly dependent on Ostade
In the finished picture the pose of the left-hand figure is changed
Cleopatra Flemish Roger de Piles (1635-1709)
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