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whose lives are caught up in the dependancy and desolation of the prospering oil industry
Ugo La Pietra drew inspiration from his notes and photo shoots taken in 1974
Yes we had
utilizes aggressive marketing campaigns aimed at identifying new customers (mostly underage)
Serge Najjar writes with lines and plays with shadows
Ge(ssenwiese), K(anigsberg) catalogs whose lives are caught upGessenwiese and Kanigsberg form part of a landscape that has been in a process of constant change since 1946. The overburden from the mining industry created radioactive spoil heaps and lakes that are being rehabilitated by various means: plants growing on Gessenwiese accumulate contaminants from the soil. Textiles are used to slowly dry out the lakes and bind the radioactive dust. The banked mounds are returned to the earth bit by bit. These
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