C034 resin and pigment on canvas mounted on panel It's like a positive loop

It's like a positive loop that makes good things even better

Gordon is interested in the visual conversation between colours

That digital montage became the model for the original painting

The artwork's substantial scale amplifies its visual impact

or a particular landscape

C034 resin and pigment on canvas mounted on panel It's like a positive loopThis work captures the emotive qualities of the Scottish landscape through a reductive technique. The artist uses a systematically derived palette, eliminating all brush marks via a subtractive process where paint is often removed. This creates ethereal surfaces that appear luminous, compelling the viewer to focus entirely on the chromatic field and its conceptual depth.