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It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author
formal variety and sophisticated harmony
den mächtigen König der Ehren” BWV 137
Useful throughout the church's year
from "Des Knaben Wunderhorn"
Contrapunctus 14 für Orgel / Tasteninstrument, BWV 1080 (Score) series__Evangelienrezitationen zur Markus-Passion (Bach & Uehling) It belongs to a smallIn 1991 an astonishing discovery was published by Zoltn Gncz answering the question with fairly great certainty how Bach planned the appearance of the fourth subject, the main subject of the cycle: One of the striking features of Contrapunctus 14 is that in this movement Bach applied the stretto of whole expositions. In the exposition of the first three subjects he programmed the later permutational stretti, then applied the expositions as programs,
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