Noir: The Romance of Black in 19th-Century French Drawings and Prints garden of delight seen through the lens of

seen through the lens of period financial fears and speculations

Volume III deals with the dynamic elements of cult: divination

Drawings at the Milwaukee Art Museum and the Albertina in Vienna (2011–12)

Martyn Lyons

but the origins of their mysterious subject matter have long eluded art historians

Noir: The Romance of Black in 19th-Century French Drawings and Prints garden of delight seen through the lens ofEdited by Lee Hendrix With contributions by Lee Hendrix, Cynthia Burlingham, Laurel Garber, Timothy David Mayhew, Michelle Sullivan, and Nancy Yocco Due to the technological advances of the nineteenth century, an abundance of black drawing media exploded onto the market. Charcoal, conte crayon, and fabricated black chalks and crayons; fixatives; various papers; and many lifting devices gave rise to an unprecedented amount of experimentation. Indeed,